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              <text>203.8 x 114 cm </text>
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                <text>Edward Alleyn</text>
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                <text>Alleyn, Edward, 1566-1626</text>
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                <text>&lt;a href="http://www.dulwichpicturegallery.org.uk/explore-the-collection/401-450/edward-alleyn/"&gt;Dulwich Picture Gallery&lt;/a&gt;</text>
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                <text>Inscribed 1626</text>
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                <text>embta2013-00090</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>EMBTA does not hold the copyright for this item, which is already made freely available online.  EMBTA cannot grant reproduction rights for this image.  If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above.&#13;
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        <name>Performed lead roles in Marlowe's tragedies: Tamburlaine; Faustus; and Barabas (The Jew of Malta)</name>
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        <name>The Fortune Playhouse; 1600 (Co-Founder)</name>
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        <name>The Rose Theater (Location)</name>
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                <text>Detail of Rose Theatre and Bear Baiting Arena, Panorama of London</text>
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                <text>England--Social life and customs--16th century</text>
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                <text>England--Social life and customs--17th century</text>
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                <text>Theater--England--History--17th century</text>
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                <text>Image Description: This detailed view depicts two key Bankside (i.e., south of the Thames) entertainment options for Elizabethan audiences: the Rose Theatre (which is actually mislabeled on Visscher's original as the Globe) and Bear-baiting Arena. Across the Thames River, St. Paul's Cathedral looms large.</text>
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                <text>Scholarly significance: The structural similarities between the Bankside theaters and bear-baiting arena are significant. The first purpose-built playhouses in Elizabethan London were modeled on preexisting animal baiting arenas (bull and bear), and the two forms of entertainment were in fierce competition with one another. A 1591 law actually mandated the closing of public theaters on Thursdays, to protect the economic interests of animal baiting promoters. One of the later purpose-built theaters, the Hope, was a hybrid arena that hosted plays on some nights and animal baiting shows on others. Not surprisingly, given the competing interests, the venture proved unsuccessful.</text>
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                <text>Visscher, Claes Jansz., 1586 or 1587-1652</text>
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                <text>1616</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="12895">
                <text>EMBTA does not hold the copyright for this item, which is already made freely available online.  EMBTA cannot grant reproduction rights for this image.  If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above.&#13;
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        <name>Bear Baiting</name>
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        <name>Elizabethan Entertainment</name>
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        <name>London</name>
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        <name>St. Paul's Cathedral</name>
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        <name>The Rose Theater (Location)</name>
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        <name>theater architecture</name>
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