2 10 196 https://embta.english.ucsb.edu/files/original/c87213a60a3d9b5d88c24cce9ddc14ae.jpg ed6b4438ef5974ded5d353810b8845ef Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Text Any textual data included in the document. Engrav'd for the Lady's Mag. Mrs. Cibber in the Character of Imoinda in Oroonoko Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mrs Cibber in the character of Imoinda in Oroonoko Subject The topic of the resource Southerne, Thomas. Oroonoko, a tragedy Race in the theater Description An account of the resource Full-length portrait of Susannah Cibber in the role of Imoinda. She looks to the right with both hands outstretched in front of her. She wears a frilled cap with a trailing scarf on her wrist and a heavy gown adorned with tassels from her waist. Source A related resource from which the described resource is derived Lady's Magazine Publisher An entity responsible for making the resource available <a title="The Victoria and Albert Museum" href="http://collections.vam.ac.uk/item/O1257294/mrs-cibber-in-the-character-print-unknown/">The Victoria and Albert Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource 1760? Contributor An entity responsible for making contributions to the resource Behn, Aphra, 1640-1689. Oroonoko Rights Information about rights held in and over the resource EMBTA does not hold the copyright for this item, which is already made freely available online. EMBTA cannot grant reproduction rights for this image. If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above. Format The file format, physical medium, or dimensions of the resource JPG Language A language of the resource English Type The nature or genre of the resource Still Image Creator An entity primarily responsible for making the resource Anonymous Identifier An unambiguous reference to the resource within a given context embta2015-00173 female stance and gesture White Imoinda https://embta.english.ucsb.edu/files/original/f4bbf83bf61aeb5cd6094b7d660be8c5.jpg bf5eb2dce86433abd520305a4b64fe35 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Glazed earthenware Physical Dimensions The actual physical size of the original image. Height: 15.1 cm, Width: 11.7 cm at widest point, Depth: 0.7 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prattware Plaque: Othello and Desdemona Subject The topic of the resource Shakespeare, William, 1564-1616. Othello Creator An entity primarily responsible for making the resource Artist Unknown Source A related resource from which the described resource is derived <a href="http://collections.vam.ac.uk/item/O125950/eddison-collection-plaque-unknown/">The Victoria and Albert Museum</a> Publisher An entity responsible for making the resource available <a href="http://collections.vam.ac.uk/item/O125950/eddison-collection-plaque-unknown/">The Victoria and Albert Museum</a> Date A point or period of time associated with an event in the lifecycle of the resource 1790-1810 Rights Information about rights held in and over the resource EMBTA does not hold the copyright for this item, which is already made freely available online. EMBTA cannot grant reproduction rights for this image. If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above. Format The file format, physical medium, or dimensions of the resource JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context embta2015-00179 https://embta.english.ucsb.edu/files/original/891a178188add16601b4afc54bf4bd1a.jpg 0459a9e4131f1776c2c1161b664bd23e Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mr. Savigny in the Character of Oroonoko Subject The topic of the resource Southerne, Thomas. Oroonoko, a tragedy Savigny, J. (John) Race in the theater Hawkesworth, John, 1715?-1773 Description An account of the resource Savigny as Oroonoko in blackface, wearing elaborate cape, frock coat, and britches, holds knife close to Imoinda. Imoinda wears a veil, beauty mark, and a frock with petticoat. She holds out her hand to him and he is turned away from her. Setting is the forest. Creator An entity primarily responsible for making the resource Barralet, John James, ca. 1747-1815 Grignion, Charles, 1721-1810 Source A related resource from which the described resource is derived <a title="The Victoria and Albert Museum" href="http://collections.vam.ac.uk/item/O1263868/mr-savigny-in-the-character-print-barralet/" target="_blank">The Victoria and Albert Museum</a> Publisher An entity responsible for making the resource available Published Novr. 23 1776 by T. Lowndes & Partners Date A point or period of time associated with an event in the lifecycle of the resource 1776-11-23 Rights Information about rights held in and over the resource Copyright for this item belongs to the “Source” and/or “Publisher” named above. EMBTA provides this material for free in accordance with our educational mission. We believe this constitutes a “fair use” of copyrighted material as described in Section 107 of the United States Copyright Law (http://www.copyright.gov/title17/92chap1.html#107). If you wish to reproduce this item for publishing or commercial purposes, you must obtain permission from the copyright owner. If you are the copyright owner and feel that your copyright has been violated, please contact embta.ucsb@gmail.com. Format The file format, physical medium, or dimensions of the resource JPG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context embta2014-00002 Contributor An entity responsible for making contributions to the resource Behn, Aphra, 1640-1689. Oroonoko Blackface male stance and gesture https://embta.english.ucsb.edu/files/original/387dcafa5314016fe936a788a1ac2591.png 940ebbf656bcae5d4f94282e187573d9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard III Subject The topic of the resource By William Shakespeare Description An account of the resource A multimedia exploration of educational tools relating to Shakespeare's "Richard III" Creator An entity primarily responsible for making the resource Juliet Way-Henthorne Date A point or period of time associated with an event in the lifecycle of the resource 2017 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Physical Mutilation, Vengeance, and Technological Advancement in Shakespeare’s “Richard III” William Shakespeare’s “Richard III” offers one of literature’s greatest villains with the ingenious, scheming Richard, Duke of Gloucester, whose treachery and plotting leads to the downfall of the House of York in the wake of the War of the Roses. Indeed, it is Richard’s intelligence, skillful manipulation, and playful interaction with the audience that has led this tragedy to endure the test of time, as it continues to influence popular culture even today through multiple adaptations, as well as inspiring characters like the nefarious Francis Underwood (ironically played by Academy Award winning actor Kevin Spacey) in the Netflix hit series, "House of Cards," which demonstrates the lasting power of Shakespeare’s works over mass media. However, beyond Richard’s ability to skillfully manipulate the human pawns in his grand schemes, his motivation stems from his physical deformity, which is depicted in a number of items associated with Shakespeare’s “Richard III,” as well as complementing a collection of multimedia tools that reflect the continuing impact of such a widely referenced work. Beginning with a ceramic sculpture of famed actor David Garrick (1717-1779) as Richard III (dated 1772), this collection provides a carefully crafted representation of the evolution of Richard III as the character relates to each era of his existence. In this sculpture of Garrick as Richard during battle, an excess of color is used, depicting an elaborately dressed Richard who, while skilled in games of the mind, is not skilled in games of war. With flushed cheeks and a limping leg representing the physical deformity that Richard describes as his being “cheated of feature by dissembling nature,” the villain seems hugely out of place on the battlefield (1.1.19) Similarly, in a later piece simply called “Richard III figurine” (which is also owned by the Victoria & Albert Museum and dated 1880), Richard again appears apprehensive, elaborately clothed in a flamboyant costume befitting the court, with a dagger tucked into his belt. Additionally, Richard’s deformity is represented through a limping leg which, when paired with a hunched back, serves as the primary motive for his villainy: “Why, I, in this weak piping time of peace, Have no delight to pass away the time, Unless to see my shadow in the sun And descant on mine own deformity. And therefore, since I cannot prove a lover To entertain these fair well-spoken days, I am determinèd to prove a villain And hate the idle pleasures of these days” (1.1.24-31). In these lines, audiences are able to gain an understanding of the impetus behind Richard’s evil acts; he feels that he has been neglected by nature and, therefore, reasons that he too may behave in unnatural ways, which encapsulates audiences’ fascination with darkness, deformity, and the desire for revenge. A final depiction of Richard’s physical form can be found in The Victoria and Albert Museum’s “Edmund Kean as Richard in Richard III by William Shakespeare,” which, through oil painting, again captures the Duke’s deformity through unusual posture and a bulging back, which is partially obscured by ornate, jeweled cloaks. Through these physical depictions of Richard III, an intense interest in his physical mutation is demonstrated, adding to the magnetism of such a physically and emotionally complex character. Interestingly, this collection offers two sketches that incorporate elements of the Elizabethan stage, depicting the ways in which actors might move about the space to the greatest advantage. Simply titled “Richard III drawing," this first sketch by Henry Fuseli depicts Richard as he sleeps during the eve of the great final battle while the spirits of all who he has wronged hover about him. The set is described as illustrating the “spirits rising by his side in pairs, and passing beyond his feet towards an opening in the centre of the tent” (V&A). So, while this piece depicts both scene and emotion during a pivotal moment in the play, it also portrays the practicality of the Elizabethan set. Contrastingly, the “Morris Kestelman set design for Richard III” appears without characters and illustrates the Old Vic Theatre Company's production of “Richard III” at the New Theatre, London, in September 1944, demonstrating the value of careful stage management even beyond the Elizabethan stage, as the billowing tents create an eerie sense of pre-war anxiety. Further, technological advancements allowed set designers to utilize lighting in order to illustrate restlessness and breathe a sense of life into an otherwise vacant set. Interestingly, Morris Kestelman also drew a costume sketch of iconic theatre actress Vivien Leigh, who played opposite her husband, Sir Laurence Olivier, as Lady Anne for many years. Though Vivien Leigh was an incredibly significant figure both on stage and in film, this sketch is particularly significant because it offers the only publicly available depiction of a female character from “Richard III.” As media has evolved, so too have the ways in which audiences interact with “Richard III,” as well as all of Shakespeare’s plays. However, “Richard III” is, in itself, exceptional because the villain is so terrible -- committing multiple murders with a seemingly sound and cunning mind -- that actors through the ages have continued to prize this role. Beginning with The Old Vic Theatre Company in their first American radio appearance performing “Richard III” (starring Laurence Olivier), various forms of new media rose to enhance the audience’s experience with the play. With a dramatic reading, Olivier delivers an iconic performance that not only highlights the advancements in recording technology, but also proves that seemingly dated yet classic texts like those of William Shakespeare can still be accessed by a wider and perhaps less literarily inclined audience. In other words, forms of new media that carefully treat the works of Shakespeare serve as valuable educational tools, ultimately garnering a wider and more intrigued audience. Indeed, a high quality translation of Shakespeare’s “Richard III” is made freely available through public access via Folger Digital texts, making such tools of education more accessible and allowing readers to examine the play in a different manner; with the aid of a computer, particular words can be searched in order to trace themes, characters, or even to perform close readings with ease. And if a reader is inclined to dig even deeper, the application of digital humanities tools can be used to conduct distant readings through data mining and text analysis, which is only made possible through the simple transfer of PDF files like those offered by Folger Digital texts. With regard to the contemporary significance of the play in popular culture, the role of Richard III remains so iconic that only some of the finest contemporary actors have been given the opportunity to play the villainous lead. The most notable of these actors -- Sir Laurence Olivier, Sir Ian McKellen, and Benedict Cumberbatch -- each offer a unique portrayal of Richard III, ranging from classic to modern interpretations that all preserve the essence of such an unusual villain marked by physical deformity and emotional disturbance, which lead to a twisted desire for vengeance and power. Moreover, with regard to animation, “Shakespeare’s The Animated Tales” provides high quality, condensed versions of Shakespeare’s works that, despite being abridged, cover all major plot points and help to preserve the spirit of the Shakespearean theatre while accessing a younger audience. Specifically, animation allows the darker undertones of the text to visually come to life, presenting the ways in which the application of popular media can enhance the lifespan of canonical works. To conclude, the most exciting aspect of the play’s preservation and even evolution is the fact that through modern technology, students, educators, and fans are able to access key scenes through YouTube and other publicly available media, marking this collection of artifacts relating to “Richard III” as both all-encompassing and a true representation of the ways in which an almost four-hundred-year-old text can be reinvented and given new life and meaning while still treating the original masterpiece with integrity and respect. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richard III (Benedict Cumberbatch) dreams of the throne - The Hollow Crown: Episode 2 - BBC Subject The topic of the resource Shakespeare, William 1564-1616. Richard III. Creator An entity primarily responsible for making the resource BBC Rights Information about rights held in and over the resource EMBTA does not hold the copyright for this item, which is already made freely available online. EMBTA cannot grant reproduction rights for this item. If you are interested in reproducing this item, please contact the copyright holder named in the “Publisher” field above. Relation A related resource A BBC depiction of Oscar nominated Benedict Cumberbatch as Richard III. Source A related resource from which the described resource is derived <a href="https://www.youtube.com/watch?v=51Ji5DOIwDw">link to item here</a> Publisher An entity responsible for making the resource available YouTube Description An account of the resource A BBC interpretation of Benedict Cumberbatch as Richard III as he speaks of his desire for the throne. Date A point or period of time associated with an event in the lifecycle of the resource May 13, 2016 Type The nature or genre of the resource Video actor battlefield celebrity character depiction media war https://embta.english.ucsb.edu/files/original/6daad22b014ce874d431ad9b706b9f04.jpg 7ac866bd259599307f95d1aa05f9a290 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mrs. Siddons with the Emblems of Tragedy Subject The topic of the resource Siddons, Sarah, 1755-1831 Actresses--Portraits English drama--18th century Description An account of the resource Actress Sarah Siddons is pictured holding a tragic mask and a dagger beside a monument to Shakespeare. Resting at the top right of the monument is a comic mask. <br /><br />For further description see <a title="NPG" href="http://www.npg.org.uk/collections/search/portrait/mw05799/Sarah-Siddons-ne-Kemble-Mrs-Siddons-with-the-Emblems-of-Tragedy?#description" target="_blank">NPG</a>. Creator An entity primarily responsible for making the resource Beechey, William, Sir, 1753-1839 Source A related resource from which the described resource is derived National Portrait Gallery Date A point or period of time associated with an event in the lifecycle of the resource 1793 Rights Information about rights held in and over the resource Copyright for this item belongs to the “Source” and/or “Publisher” named above. EMBTA provides this material for free in accordance with our educational mission. We believe this constitutes a “fair use” of copyrighted material as described in Section 107 of the United States Copyright Law (http://www.copyright.gov/title17/92chap1.html#107). If you wish to reproduce this item for publishing or commercial purposes, you must obtain permission from the copyright owner. If you are the copyright owner and feel that your copyright has been violated, please contact embta.ucsb@gmail.com. Format The file format, physical medium, or dimensions of the resource JPG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context embta2013-00036 https://embta.english.ucsb.edu/files/original/3cd98ca7b9697a19aa21e1e11d81ed2d.pdf 54335a7dc5d37409ece3c631cfff33a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Rover: or, The Banish'd Cavaliers. Subject The topic of the resource Behn, Aphra, 1640-1689. Plays. Selections Description An account of the resource Cast list and first page from the first printed edition of The Rover (1677). Creator An entity primarily responsible for making the resource Behn, Aphra, 1640-1689 Source A related resource from which the described resource is derived <a href="http://eebo.chadwyck.com.proxy.library.ucsb.edu:2048/search/full_rec?SOURCE=pgimages.cfg&amp;ACTION=ByID&amp;ID=13174490&amp;FILE=../session/1378258995_29424&amp;SEARCHSCREEN=CITATIONS&amp;VID=98343&amp;PAGENO=3&amp;ZOOM=&amp;VIEWPORT=&amp;SEARCHCONFIG=var_spell.cfg&amp;DISPLAY=AUTHOR&amp;HIGHLIGHT_KEYWORD=">Early English Books Online</a> Identifier An unambiguous reference to the resource within a given context embta2013-00116 Rights Information about rights held in and over the resource Copyright for this item belongs to the “Source” and/or “Publisher” named above. EMBTA provides this material for free in accordance with our educational mission. We believe this constitutes a “fair use” of copyrighted material as described in Section 107 of the United States Copyright Law (http://www.copyright.gov/title17/92chap1.html#107). If you wish to reproduce this item for publishing or commercial purposes, you must obtain permission from the copyright owner. If you are the copyright owner and feel that your copyright has been violated, please contact embta.ucsb@gmail.com. https://embta.english.ucsb.edu/files/original/2dadcaa10e87f7fc5dd3968396dffdd2.jpg d02271a0cef78d1086d83084af9a70bf Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Enamel on copper, Oval, 153mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thomas Otway Subject The topic of the resource Otway, Thomas, 1652-1685 Description An account of the resource Half-length portrait of Thomas Otway from the Romantic era Creator An entity primarily responsible for making the resource Bone, Henry Pierce Source A related resource from which the described resource is derived <a href="http://www.historicalportraits.com/Gallery.asp?Page=Item&amp;ItemID=1498&amp;Desc=Portrait-of-Thomas-Otway-(1652-1685)-%7C-Henry-Pierce-Bone-">Historical Portraits Image Library</a> Publisher An entity responsible for making the resource available <a href="http://www.historicalportraits.com/Gallery.asp?Page=Item&amp;ItemID=1498&amp;Desc=Portrait-of-Thomas-Otway-(1652-1685)-%7C-Henry-Pierce-Bone-">Historical Portraits Image Library</a> Date A point or period of time associated with an event in the lifecycle of the resource 1800/1850? Format The file format, physical medium, or dimensions of the resource JPG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context embta2013-00059 Rights Information about rights held in and over the resource EMBTA does not hold the copyright for this item, which is already made freely available online. EMBTA cannot grant reproduction rights for this image. If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above. https://embta.english.ucsb.edu/files/original/25104253d533d87231fffc433dae82b8.jpg 4ddf2d7c5c576f3aab54d0d8204f7286 https://embta.english.ucsb.edu/files/original/53832071650a3e275f3955cb9958c35d.jpg 129138b42ac92742a5dabd84d6f2e588 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource View of the Cittye of London from the North towards the South Subject The topic of the resource England--Social life and customs--16th century Theatre (Shoreditch, London, England) Theater--England--History--16th century Description An account of the resource This view of London, from a hillside in present day Islington, provides a rare glimpse at life in the northern suburbs of London during the late 16th century. In the left-center of the frame stands a polygonal three-story structure with a flag flying from the top of the building. This public playhouse is either the Theatre or the Curtain; there is no general consensus, however, as to which is more likely. Creator An entity primarily responsible for making the resource Booth, Abraham Publisher An entity responsible for making the resource available Wikimedia Commons Date A point or period of time associated with an event in the lifecycle of the resource 1577-1598 Format The file format, physical medium, or dimensions of the resource JPG Rights Information about rights held in and over the resource EMBTA does not hold the copyright for this item, which is already made freely available online. EMBTA cannot grant reproduction rights for this image. If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above. Elizabethan London Shoreditch The Curtain The Theatre theater architecture https://embta.english.ucsb.edu/files/original/a3c7da00600031c85409e640620d572b.jpg 77a2b2d484f899188cc5c244f171f9db Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Actress at her Toilet, or Miss Brazen Just Breecht Subject The topic of the resource Breeches parts Kennedy, Margaret, d. 1793 English satirical print, 1600-1832 Description An account of the resource <p>A woman pulls on red breeches, aided by her serving-maid on the left, while a partially-shaved poodle looks on. A pair of stays, a sword, and a playbill sit on a stool; behind them is a dressing table with cosmetics on the right; background includes folding screen and a parrot drinking from a bowl.</p> See more details from the <a href="http://www.britishmuseum.org/research/search_the_collection_database/search_object_details.aspx?objectid=1641191&amp;partid=1&amp;searchText=an+actress+at+her+toilet&amp;fromADBC=ad&amp;toADBC=ad&amp;numpages=10&amp;orig=%2Fresearch%2Fsearch_the_collection_database.aspx&amp;currentPage=1">British Library</a> Creator An entity primarily responsible for making the resource Bowles, Carington, 1724-1793 Collet, John, 1725?-1780 Source A related resource from which the described resource is derived [exhib catalogue for museum show on Resto & 18th c. actresses] Date A point or period of time associated with an event in the lifecycle of the resource 1779 Rights Information about rights held in and over the resource Copyright for this item belongs to the “Source” and/or “Publisher” named above. EMBTA provides this material for free in accordance with our educational mission. We believe this constitutes a “fair use” of copyrighted material as described in Section 107 of the United States Copyright Law (http://www.copyright.gov/title17/92chap1.html#107). If you wish to reproduce this item for publishing or commercial purposes, you must obtain permission from the copyright owner. If you are the copyright owner and feel that your copyright has been violated, please contact embta.ucsb@gmail.com. Format The file format, physical medium, or dimensions of the resource jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context embta2013-00006 female stance and gesture male stance and gesture https://embta.english.ucsb.edu/files/original/b56757f22c01a8fcb0a0c96f6b1e1cb5.jpg ded450b45b30e9988d18ead3351474c8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource She Stoops to Conquer Subject The topic of the resource Goldsmith, Oliver, 1730?-1774. She stoops to conquer Description An account of the resource Items related to Goldsmith's <em>She Stoops to Conquer.</em> Hyperlink Title, URL, Description or annotation. URL http://www.youtube.com/watch?v=BcuS6gboXCw Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>She Stoops to Conquer</em> Trailer Subject The topic of the resource Goldsmith, Oliver, 1730?-1774. She stoops to conquer Description An account of the resource Trailer for film adaptation of Oliver Goldsmith's <em>She Stoops to Conquer</em>.<br /><br />For cast and crew information, see <a title="IMDB" href="http://www.imdb.com/title/tt1127767/fullcredits?ref_=tt_ov_st_sm#cast" target="_blank">IMDB</a>. Creator An entity primarily responsible for making the resource Britten, Tony [Director] Goldsmith, Oliver, 1730?-1774 Source A related resource from which the described resource is derived <a title="Youtube" href="http://www.youtube.com/watch?v=BcuS6gboXCw" target="_blank">Youtube</a> Publisher An entity responsible for making the resource available <a title="Capriol Films" href="http://www.capriolfilms.co.uk/she-stoops-to-conquer.php" target="_blank">Capriol Films</a> Date A point or period of time associated with an event in the lifecycle of the resource 2010-05-14 Contributor An entity responsible for making contributions to the resource Redford, Ian [Mr. Hardcastle] Fielding, Susannah, 1985- [Kate Hardcastle] Dexter, Mark [Charles Marlow] Hemingway, Polly [Mrs. Hardcastle] Relation A related resource IsVersionOf She Stoops to Conquer Language A language of the resource English Type The nature or genre of the resource Hyperlink Identifier An unambiguous reference to the resource within a given context embta2013-00063 Rights Information about rights held in and over the resource EMBTA does not hold the copyright for this item, which is already made freely available online. EMBTA cannot grant reproduction rights for this image. If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above.