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                <text>Elizabeth Hartley as Cleopatra</text>
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                <text>Dryden, John, 1631-1700. All for love. </text>
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                <text>Act 5, Scene 3. Cleopatra stands and holds a knife in her right hand, and extends her left arm saying, : "I die, I will not bear it"</text>
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                <text>&lt;a title="Victoria and Albert Museum" href="http://collections.vam.ac.uk/item/O1259707/print-j-roberts/" target="_blank"&gt;Victoria and Albert Museum&lt;/a&gt;</text>
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              <text>Mrs. S. KEMBLE as IMOINDA&#13;
There's something in that name that voice that face-Oh if I know myself, I cannot be mistaken". &#13;
London. Printed for J. Bell. British Library. Strand. October ? 1791</text>
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Mrs LITCHFIELD as IMOINDA&#13;
There's something in that name, that voice, that face, Oh if I know myself I cannot be mistaken." Act II Scene 3.&#13;
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                <text>&lt;a title="University of Illinois Theatrical Print Collection" href="http://imagesearch.library.illinois.edu/cdm4/item_viewer.php?CISOROOT=/actors&amp;amp;CISOPTR=1236&amp;amp;CISOBOX=1&amp;amp;REC=4" target="_blank"&gt;University of Illinois Theatrical Print Collection&lt;/a&gt;</text>
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                <text>Behn, Aphra, 1640-1689. Oroonoko</text>
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            <name>Rights</name>
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                <text>EMBTA does not hold the copyright for this item, which is already made freely available online.  EMBTA cannot grant reproduction rights for this image.  If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above.&#13;
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        <name>White Imoinda</name>
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        <src>https://embta.english.ucsb.edu/files/original/e4ff43b6dae3e34a7ce3ee19fddaf036.jpg</src>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Illustration of Elizabethan Bear Baiting</text>
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                <text>In this scene, a bear chained to a large wooden stake in the middle of the arena prepares to defend itself against the on-rushing pack of dogs.  In the lower left corner of the illustration, an animal handler/referee watches the scene with a large wooden club in his hand.  The illustration also depicts the multi-story construction of the Elizabethan bear baiting arena.  While spectators on the ground floor are crowded amongst one another, the well-to-do spectators on the upper balcony have more elbow room and a less obstructed viewing perspective.</text>
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                <text>Hodges, C. Walter. Shakespeare's&lt;em&gt; Theater&lt;/em&gt; (New York: Coward-McCann, Inc., 1967), p. 49.</text>
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                <text>Coward-McCann, Inc.</text>
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            <name>Date</name>
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                <text>1967 (First American Impression)</text>
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&#13;
If you wish to reproduce this item for publishing or commercial purposes, you must obtain permission from the copyright owner.&#13;
&#13;
If you are the copyright owner and feel that your copyright has been violated, please contact embta.ucsb@gmail.com.</text>
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            <name>Format</name>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>embta2013-00124</text>
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        <name>Elizabethan Entertainment</name>
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