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                <text>Abolitionist Patch Box</text>
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                <text>Patch box--often often used to hold beauty patches in the 18th century--with abolition motif, "AM I NOT A MAN AND A BROTHER." A black figure with chains on his clasped hands and feet kneels on grass flanked by a ship on water and two houses surrounded by trees.</text>
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                <text>&lt;a title="International Slavery Museum" href="http://www.liverpoolmuseums.org.uk/ism/collections/legacies/patch_box.aspx" target="_blank"&gt;International Slavery Museum&lt;/a&gt;</text>
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                <text>1790?</text>
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              <text>MISS SMITH as IMOINDA Imo. ____ Indians or English: Whoever has me, I am still a slave. Published as the Act directs by J. Roach. Russell Court. Drury Lane June 18, 1806 &lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Secondary Criticism:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;"Blackness in the eighteenth century was of course used to characterize persons from the Indies, the Americas, Africa, or the South Pacific; it was also applied to the Irish as a mark of their Celtish origins, and more generally ot the laboring classes, especially coalminers and chimney sweeps. Yet it was not clear how fundamental dark coloring might be." --Felicity A. Nussbaum, "Black women: why Imoinda turns white,"&amp;nbsp;&lt;em&gt;The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century&lt;/em&gt; (Cambridge: Cambridge UP, 2003), 151-188. 151.</text>
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                <text>Sarah Smith (married name Bartley) as Imoinda in "Oroonoko"</text>
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                <text>Behn, Aphra, 1640-1689. Oroonoko</text>
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                <text>Full-length portrait of Smith in the role of Imoinda. Unlike other adaptations of Oroonoko at the time (including the Hawkesworth version in which Smith is performing), Smith plays in blackface. With arms outstretched and draped with a white scarf, she wears a simple white turban and white gown.</text>
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                <text>EMBTA does not hold the copyright for this item, which is already made freely available online.  EMBTA cannot grant reproduction rights for this image.  If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above.&#13;
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              <text>OROONOKO&#13;
Mrs LITCHFIELD as IMOINDA&#13;
There's something in that name, that voice, that face, Oh if I know myself I cannot be mistaken." Act II Scene 3.&#13;
Printed for C. Cooke April ? 1807</text>
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                <text>Harriett Litchfield (nee Hay) as Imoinda in "Oroonoko"</text>
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                <text>Southerne, Thomas. Oroonoko, a tragedy</text>
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                <text>Full-length portrait of Litchfield in the role of Imoinda. Standing in front of a forest, she faces slightly left with arms outspread and the right palm forward. She wears a dark beaded necklace, a turban with a large feather, and a dark fringed sash against a white gown. The image is framed by an oval border consisting of a winged quiver of arrows, flowers, white cloth and a dove holding a banner.</text>
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                <text>Behn, Aphra, 1640-1689. Oroonoko</text>
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                <text>EMBTA does not hold the copyright for this item, which is already made freely available online.  EMBTA cannot grant reproduction rights for this image.  If you are interested in reproducing this image, please contact the copyright holder named in the “Source” field above.&#13;
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              <text>Mrs. S. KEMBLE as IMOINDA&#13;
There's something in that name that voice that face-Oh if I know myself, I cannot be mistaken". &#13;
London. Printed for J. Bell. British Library. Strand. October ? 1791</text>
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                <text>Southerne, Thomas. Oroonoko, a tragedy</text>
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                <text>Full-length portrait of Kemble in the role of Imoinda. Standing in front of a forest, she faces slightly left with arms outspread and the right palm forward. She wears a turban with a large feather and a fringed sash that has a matching pattern with her skirt. A curl of hair has come loose from her turban.</text>
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